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Interview With Maureen Alsop
Walter Benjamin: What creative work is currently occupying you? Maureen Alsop: Let’s study the topography. Walter, when you questioned the bunting’s trill then mouthed back over the stream, I could not stop the alstroemeria’s impossibly small blossom. Snow lacerates the valley. Meaning there is no disrespect for your transition—flakes puncture the dry edge of […]
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Interview With Søren Kierkegaard
OON: We see a lot of cross-genre work here at [out of nothing]—texts that occupy a kind of interstitial space between fiction, philosophy and even the sciences sometimes. What’s your feeling on that, given that your writing at the time seemed to blend a lot of these elements, well before we had any discourse on […]
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Debra Di Blasi’s “The Republic For Which It Stands” (Glorious Version)
Debra Di Blasi’s “The Republic For Which It Stands,” unfolds its multimedia wings. Featured in our first print issue – OON # [0]: Theoretical Perspectives on the Substance Preceding [nothing]. [Or go here.]
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Tom Trudgeon’s Remarks IN Color
Tom Trudgeon’s “877 Remarks On Color,” now, in color. Featured in our first print issue – OON # [0]: Theoretical Perspectives on the Substance Preceding [nothing].
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Goodbye Coleslaw in Color
Mark Ge’s piece “Goodbye Coleslaw” was featured in our first print issue – OON # [0]: Theoretical Perspectives on the Substance Preceding [nothing]. Now see it in color.