Listen to an excerpted interview with Douglas Kearney on “Lomaxing”, methods of sanctioned and unsanctioned appropriation, and the delicate subject of authenticity in music. Click Here: http://www.youtube.com/watch?v=JkoW0Ytnx40&feature=youtu.be ________________________________________________________________________________ ***The following is a subsequent interview with Ryan Sweeney of the band Hands on the practice of remixing, loosely based on the above interview […]
Dear John, Thank you so much for agreeing to do this email interview. I’ve attached an edited copy of Felipe’s interview for your reference. I’ll start broadly. You’ve recently spent some time in Mexico working on some translations I believe. Can you tell me a little about your translation projects and how you […]
We call ENTER>text a “living literary magazine” because we do not consider it a reading so much as a collection of written works presented in immersive performance rather than in a published format. Audiences drift from one encounter to the next – some interactive installations, some intimate readings — like turning pages. From the get-go […]
AND OF COURSE YOU END UP KISSING YOURSELF How it happened, or how I like to imagine it happens for most of us, was on account of a commercial. It’s about a group of regular people with giant noses, or rather, regular people with noses for heads. The former would mean enlarged noses in their […]
Leg 1, 2013 A very early project of yours was to transcribe Tolstory’s epic “War & Peace” in painstaking hand written script, which could be perceived as a way of living the story, of embodying the text. Is the process of transcribing word-by-word a way of inserting yourself into the text? Absolutely. I wanted […]
•5 April 2013 Dear Felipe, I’ve been struggling to somehow position myself as a mediator around the subject of translation-translating all the translations. It feels imbalanced, uneasy-full of landmines. Further, I’ve been thinking a little about how I can conduct an interview without being the mediator, without forcing a path of conversation […]
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She has milkbowl hips and bones like harpoons. On a walk she’ll meander off to examine the manzanitas or bend suddenly to peer through someone’s mail slot. Her wandering isn’t cute or whimsical, though—her curiosity is guided like an animal’s is, you can tell, by some unnamable force in her underskin. You’re the butch […]
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Vertical Air i. Calculate time from when light relents to clouds to when rain begins. Chaos stirs space, fixing points after moving in basins of attraction. Though my formulas define it, I think turbulence is confused. The dean called it sleight of hand. Not reading Lacan but the […]