[out of nothing] has always and conscientiously avoided the use of the term experimental in describing itself. Perhaps we-as-editors-cum-curators are over-sensitive to this term because our formal education was capstoned at an institution known for self-conscious and so-named experimentation. But we are not ignorant of readerly perceptions, much the “how”s by which the literary marketplace ...
In conjunction with the release earlier this week of VIDA’s 2012 statistics, the editors of [out of nothing] here offer a raw count, broken down according to author’s / artist’s sex (inasmuch as this could be determined via author name, bio, etc.), of both the submissions the journal has received and the works that the ...